{"id":9385,"date":"2025-03-03T00:01:10","date_gmt":"2025-03-02T23:01:10","guid":{"rendered":"https:\/\/oscartippspiel.de\/?p=9385"},"modified":"2026-01-11T21:52:02","modified_gmt":"2026-01-11T20:52:02","slug":"new-archive","status":"publish","type":"post","link":"https:\/\/oscartippspiel.de\/en\/new-archive\/","title":{"rendered":"2025 \u2013\u00a0Archive"},"content":{"rendered":"\n
\n
\n
\n
\n\"\"\n<\/div>\n<\/div>\n\n\n\n
\n
\n

Oscar Nominierungen<\/h1>\n\n\n\n

2025<\/h1>\n<\/div>\n\n\n\n
\n

Best Picture<\/p>\n\n\n\n

<\/div>\n\n\n
\n
\n
\n\n \n\n
\n

\n A Complete Unknown<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n Anora<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n Conclave<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n Dune: Part Two<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n Emilia P\u00e9rez<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n I’m Still Here<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n Nickel Boys<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n The Brutalist<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n The Substance<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n Wicked<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article><\/div> <\/div>\n <\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n
<\/span><\/span>

Glamour Tipp<\/h2><\/div><\/div>
\n
\n
\n
\n

Actor in a
Leading Role<\/p>\n<\/div>\n\n\n

\n
\n
\n\n \n\n
\n

\n A Complete Unknown<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n Conclave<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n Sing Sing<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n The Apprentice<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n The Brutalist<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article><\/div> <\/div>\n <\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

Actress in a
Leading Role<\/p>\n<\/div>\n\n\n

\n
\n
\n\n \n\n
\n

\n Anora<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n Emilia P\u00e9rez<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n I’m Still Here<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n The Substance<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n Wicked<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article><\/div> <\/div>\n <\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

Actor in a
Supporting Role<\/p>\n<\/div>\n\n\n

\n
\n
\n\n \n\n
\n

\n A Complete Unknown<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n A Real Pain<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n Anora<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n The Apprentice<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n The Brutalist<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article><\/div> <\/div>\n <\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

Actress in a
Supporting Role<\/p>\n<\/div>\n\n\n

\n
\n
\n\n \n\n
\n

\n A Complete Unknown<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n Conclave<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n Emilia P\u00e9rez<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n The Brutalist<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n Wicked<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article><\/div> <\/div>\n <\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div>\n\n\n\n

<\/span><\/span>

Cineasten Tipp<\/h2><\/div><\/div>
\n
\n
\n
\n

Animated
Feature Film<\/p>\n<\/div>\n\n\n

\n
\n
\n\n \n\n
\n

\n Flow<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n Inside Out 2<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n Memoir of a Snail<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n The Wild Robot<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n Wallace & Gromit: Vengeance Most Fowl<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article><\/div> <\/div>\n <\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

Cinematography<\/p>\n<\/div>\n\n\n

\n
\n
\n\n \n\n
\n

\n Dune: Part Two<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n Emilia P\u00e9rez<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n Maria<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n Nosferatu<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n The Brutalist<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article><\/div> <\/div>\n <\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

Costume Design<\/p>\n<\/div>\n\n\n

\n
\n
\n\n \n\n
\n

\n A Complete Unknown<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n Conclave<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n Gladiator<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n Nosferatu<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n Wicked<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article><\/div> <\/div>\n <\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

Directing<\/p>\n<\/div>\n\n\n

\n
\n
\n\n \n\n
\n

\n A Complete Unknown<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n Anora<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n Emilia P\u00e9rez<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n The Brutalist<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n The Substance<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article><\/div> <\/div>\n <\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

Documentary Feature Film<\/p>\n<\/div>\n\n\n

\n
\n
\n\n \n\n
\n

\n Black Box Diaries<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n No Other Land<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n Porcelain War<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n Soundtrack to a Coup D’etat<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n Sugarcane<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article><\/div> <\/div>\n <\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

Documentary Short Film<\/p>\n<\/div>\n\n\n

\n
\n
\n\n \n\n
\n

\n Death By Numbers<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n I Am Ready, Warden<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n Incident<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n Instruments of a Beating Heart<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n The Only Girl in The Orchestra<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article><\/div> <\/div>\n <\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

Film Editing<\/p>\n<\/div>\n\n\n

\n
\n
\n\n \n\n
\n

\n Anora<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n Conclave<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n Emilia P\u00e9rez<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n The Brutalist<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n Wicked<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article><\/div> <\/div>\n <\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

International Feature Film <\/strong><\/p>\n<\/div>\n\n\n

\n
\n
\n\n \n\n
\n

\n Emilia P\u00e9rez<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n Flow<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n I’m Still Here<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n The Girl with the Needle<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n The Seed of the Sacred Fig<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article><\/div> <\/div>\n <\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

Makeup and Hairstyling<\/p>\n<\/div>\n\n\n

\n
\n
\n\n \n\n
\n

\n A Different Man<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n Emilia P\u00e9rez<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n Nosferatu<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n The Substance<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n Wicked<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article><\/div> <\/div>\n <\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

Music \u2013 Original Score<\/p>\n<\/div>\n\n\n

\n
\n
\n\n \n\n
\n

\n Conclave<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n Emilia P\u00e9rez<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n The Brutalist<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n The Wild Robot<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n Wicked<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article><\/div> <\/div>\n <\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

Music \u2013 Original Song<\/p>\n<\/div>\n\n\n

\n
\n
\n\n \n\n
\n

\n Elton John: Never Too Late<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n Emilia P\u00e9rez<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n Sing Sing<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n The Six Triple Eight<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article><\/div> <\/div>\n <\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

Production Design<\/p>\n<\/div>\n\n\n

\n
\n
\n\n \n\n
\n

\n Conclave<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n Dune: Part Two<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n Nosferatu<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n The Brutalist<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n Wicked<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article><\/div> <\/div>\n <\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

Short Film \u2013 Animated<\/p>\n<\/div>\n\n\n

\n
\n
\n\n \n\n
\n

\n Beautiful Men<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n In the Shadow of the Cypress<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n Magic Candies<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n Wander to Wonder<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n Yuck!<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article><\/div> <\/div>\n <\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

Short Film \u2013 Live Action<\/p>\n<\/div>\n\n\n

\n
\n
\n\n \n\n
\n

\n A Lien<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n Anuja<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n I’m Not a Robot<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n The Last Ranger<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n The Man Who Could Not Remain Silent<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article><\/div> <\/div>\n <\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

Sound<\/p>\n<\/div>\n\n\n

\n
\n
\n\n \n\n
\n

\n A Complete Unknown<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n Dune: Part Two<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n Emilia P\u00e9rez<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n The Wild Robot<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n Wicked<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article><\/div> <\/div>\n <\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

Visual Effects<\/p>\n<\/div>\n\n\n

\n
\n
\n\n \n\n
\n

\n Alien: Romulus<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n Better Man<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n Dune: Part Two<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n Kingdom of the Planet of the Apes<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n Wicked<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article><\/div> <\/div>\n <\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

Writing \u2013 Adapted Screenplay<\/p>\n<\/div>\n\n\n

\n
\n
\n\n \n\n
\n

\n A Complete Unknown<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n Conclave<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n Emilia P\u00e9rez<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n Nickel Boys<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n Sing Sing<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article><\/div> <\/div>\n <\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

Writing \u2013 Original Screenplay<\/p>\n<\/div>\n\n\n

\n
\n
\n\n \n\n
\n

\n A Real Pain<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n Anora<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n September 5<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n The Brutalist<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n

\n The Substance<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article><\/div> <\/div>\n <\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div>\n<\/div><\/div><\/div><\/div>\n<\/div>\n\n\n\n

\n

Alle nominierten Filme<\/h2>\n\n\n\n
<\/div>\n\n\n
\n
\n
\n\n \n\n
\n
\n A Complete Unknown<\/a>\n \"\"\n <\/div>\n <\/div>
\n

\n A Complete Unknown<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n
\n A Different Man<\/a>\n \"\"\n <\/div>\n <\/div>
\n

\n A Different Man<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n
\n A Lien<\/a>\n \"\"\n <\/div>\n <\/div>
\n

\n A Lien<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n
\n A Real Pain<\/a>\n \"\"\n <\/div>\n <\/div>
\n

\n A Real Pain<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n
\n Alien: Romulus<\/a>\n \"\"\n <\/div>\n <\/div>
\n

\n Alien: Romulus<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n
\n Anora<\/a>\n \"\"\n <\/div>\n <\/div>
\n

\n Anora<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n
\n Anuja<\/a>\n \"\"\n <\/div>\n <\/div>
\n

\n Anuja<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n
\n Beautiful Men<\/a>\n \"\"\n <\/div>\n <\/div>
\n

\n Beautiful Men<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n
\n Better Man<\/a>\n \"\"\n <\/div>\n <\/div>
\n

\n Better Man<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n
\n Black Box Diaries<\/a>\n \"\"\n <\/div>\n <\/div>
\n

\n Black Box Diaries<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n
\n Conclave<\/a>\n \"\"\n <\/div>\n <\/div>
\n

\n Conclave<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n
\n Death By Numbers<\/a>\n \"\"\n <\/div>\n <\/div>
\n

\n Death By Numbers<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n
\n Dune: Part Two<\/a>\n \"\"\n <\/div>\n <\/div>
\n

\n Dune: Part Two<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n
\n Elton John: Never Too Late<\/a>\n \"\"\n <\/div>\n <\/div>
\n

\n Elton John: Never Too Late<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n
\n Emilia P\u00e9rez<\/a>\n \"\"\n <\/div>\n <\/div>
\n

\n Emilia P\u00e9rez<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n
\n Flow<\/a>\n \"\"\n <\/div>\n <\/div>
\n

\n Flow<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n
\n Gladiator<\/a>\n \"\"\n <\/div>\n <\/div>
\n

\n Gladiator<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n
\n I Am Ready, Warden<\/a>\n \"\"\n <\/div>\n <\/div>
\n

\n I Am Ready, Warden<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n
\n I’m Not a Robot<\/a>\n \"\"\n <\/div>\n <\/div>
\n

\n I’m Not a Robot<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n
\n I’m Still Here<\/a>\n \"\"\n <\/div>\n <\/div>
\n

\n I’m Still Here<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n
\n In the Shadow of the Cypress<\/a>\n \"\"\n <\/div>\n <\/div>
\n

\n In the Shadow of the Cypress<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n
\n Incident<\/a>\n \"\"\n <\/div>\n <\/div>
\n

\n Incident<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n
\n Inside Out 2<\/a>\n \"\"\n <\/div>\n <\/div>
\n

\n Inside Out 2<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n
\n Instruments of a Beating Heart<\/a>\n \"\"\n <\/div>\n <\/div>
\n

\n Instruments of a Beating Heart<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n
\n Kingdom of the Planet of the Apes<\/a>\n \"\"\n <\/div>\n <\/div>
\n

\n Kingdom of the Planet of the Apes<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n
\n Magic Candies<\/a>\n \"\"\n <\/div>\n <\/div>
\n

\n Magic Candies<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n
\n Maria<\/a>\n \"\"\n <\/div>\n <\/div>
\n

\n Maria<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n
\n Memoir of a Snail<\/a>\n \"\"\n <\/div>\n <\/div>
\n

\n Memoir of a Snail<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n
\n Nickel Boys<\/a>\n \"\"\n <\/div>\n <\/div>
\n

\n Nickel Boys<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n
\n No Other Land<\/a>\n \"\"\n <\/div>\n <\/div>
\n

\n No Other Land<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n
\n Nosferatu<\/a>\n \"\"\n <\/div>\n <\/div>
\n

\n Nosferatu<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n
\n Porcelain War<\/a>\n \"\"\n <\/div>\n <\/div>
\n

\n Porcelain War<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n
\n September 5<\/a>\n \"\"\n <\/div>\n <\/div>
\n

\n September 5<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n
\n Sing Sing<\/a>\n \"\"\n <\/div>\n <\/div>
\n

\n Sing Sing<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n
\n Soundtrack to a Coup D’etat<\/a>\n \"\"\n <\/div>\n <\/div>
\n

\n Soundtrack to a Coup D’etat<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n
\n Sugarcane<\/a>\n \"\"\n <\/div>\n <\/div>
\n

\n Sugarcane<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n
\n The Apprentice<\/a>\n \"\"\n <\/div>\n <\/div>
\n

\n The Apprentice<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n
\n The Brutalist<\/a>\n \"\"\n <\/div>\n <\/div>
\n

\n The Brutalist<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n
\n The Girl with the Needle<\/a>\n \"\"\n <\/div>\n <\/div>
\n

\n The Girl with the Needle<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n
\n The Last Ranger<\/a>\n \"\"\n <\/div>\n <\/div>
\n

\n The Last Ranger<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n
\n The Man Who Could Not Remain Silent<\/a>\n \"\"\n <\/div>\n <\/div>
\n

\n The Man Who Could Not Remain Silent<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n
\n The Only Girl in The Orchestra<\/a>\n \"\"\n <\/div>\n <\/div>
\n

\n The Only Girl in The Orchestra<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n
\n The Seed of the Sacred Fig<\/a>\n \"\"\n <\/div>\n <\/div>
\n

\n The Seed of the Sacred Fig<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n
\n The Six Triple Eight<\/a>\n \"\"\n <\/div>\n <\/div>
\n

\n The Six Triple Eight<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n
\n The Substance<\/a>\n \"\"\n <\/div>\n <\/div>
\n

\n The Substance<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n
\n The Wild Robot<\/a>\n \"\"\n <\/div>\n <\/div>
\n

\n The Wild Robot<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n
\n Wallace & Gromit: Vengeance Most Fowl<\/a>\n \"\"\n <\/div>\n <\/div>
\n

\n Wallace & Gromit: Vengeance Most Fowl<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n
\n Wander to Wonder<\/a>\n \"\"\n <\/div>\n <\/div>
\n

\n Wander to Wonder<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n
\n Wicked<\/a>\n \"\"\n <\/div>\n <\/div>
\n

\n Wicked<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article>

\n
\n Yuck!<\/a>\n \"\"\n <\/div>\n <\/div>
\n

\n Yuck!<\/a>\n <\/p>\n <\/header><\/div><\/div><\/article><\/div> <\/div>\n <\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Oscar Nominierungen 2025 Best Picture Alle nominierten Filme<\/p>","protected":false},"author":3,"featured_media":5536,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_eb_attr":"","footnotes":""},"categories":[286],"tags":[],"pagetype":[333],"class_list":["post-9385","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-286","pagetype-archive"],"acf":{"glamour":false,"cineast":true,"cast_pic1":"","cast_cat1":"Actor in a Leading Role","cast_name1":"","cast_pic2":"","cast_cat2":"Actor in a Leading Role","cast_name2":"","cast_pic3":"","cast_cat3":"Actor in a Leading Role","cast_name3":"","cast_pic4":"","cast_cat4":"Actor in a Leading Role","cast_name4":"","cast_pic5":"","cast_cat5":"Actor in a Leading Role","cast_name5":"","song1":"","song2":"","song3":"","trailer_typ1":"\ue121","trailer_url1":"","trailer_typ2":"\ue121","trailer_url2":"","trailer_typ3":"\ue123","trailer_url3":"","stream_serv1":"\ue500","stream_url1":"","stream_serv2":"\ue508","stream_url2":"","stream_serv3":"\ue520","stream_url3":"","stream_serv4":"\ue528","stream_url4":"","stream_serv5":"\ue524","stream_url5":"","music_image":"","music_serv1":"\ue416","music_url1":"","music_serv2":"\ue404","music_url2":"","music_serv3":"\ue412","music_url3":"","music_serv4":"\ue420","music_url4":"","music_serv5":"\ue568","music_url5":""},"_links":{"self":[{"href":"https:\/\/oscartippspiel.de\/en\/wp-json\/wp\/v2\/posts\/9385","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/oscartippspiel.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/oscartippspiel.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/oscartippspiel.de\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/oscartippspiel.de\/en\/wp-json\/wp\/v2\/comments?post=9385"}],"version-history":[{"count":3,"href":"https:\/\/oscartippspiel.de\/en\/wp-json\/wp\/v2\/posts\/9385\/revisions"}],"predecessor-version":[{"id":9774,"href":"https:\/\/oscartippspiel.de\/en\/wp-json\/wp\/v2\/posts\/9385\/revisions\/9774"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/oscartippspiel.de\/en\/wp-json\/wp\/v2\/media\/5536"}],"wp:attachment":[{"href":"https:\/\/oscartippspiel.de\/en\/wp-json\/wp\/v2\/media?parent=9385"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/oscartippspiel.de\/en\/wp-json\/wp\/v2\/categories?post=9385"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/oscartippspiel.de\/en\/wp-json\/wp\/v2\/tags?post=9385"},{"taxonomy":"pagetype","embeddable":true,"href":"https:\/\/oscartippspiel.de\/en\/wp-json\/wp\/v2\/pagetype?post=9385"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}